The Magic Mountain Soundtrack

021. Feature documentary and expanded cinema. 

An Acteon production in collaboration with Jolefilm

Like the characters in Thomas Mann’s novel that gives the film its title, in the strange suspended time of the sanitary confinement of these days, twenty-five people locked in their homes reflect on their lives, on the society in which they live, on the mutations of the world and its environment, on their desires: workers, caretakers, teachers, businessmen, philosophers, students, retirees… Most – though not all – are people who have some connection with the others participants: there are three family nuclei, friends and neighbors; some have working relationships. These bonds are also the visual and spoken matter of the film, and they tint the reflections of a particular humanity : the one of the society of the second decade of the 21st century.

The Magic Mountain is a fresco of the tensions that cross Europe nowadays. It is made up of shoots filmed with cameras and cell phones by the participants themselves, who agreed to put themselves in the position of “filmmakers” and “camera operators”, and to follow the director’s indications, Claudio Zulian. The images are the result of a patient work of shaping, through long dialogues about the intentions, the possibilities, the right moment of the shootings. In this strange period, there was no other way to do it. However, there is a great advantage in this work system: we get an intimacy with people that no other film crew  could have achieved. 

Joe Schievano soundtrack La Montagna Incantata

The Magic Mountain is a film that explores the doubts, fears and hopes of a group of citizens in a decade that has started dramatically.

Many musical moods

An all-round, organic musical work that explores multiple dimensions and genres, from the composition of pieces inspired by the classical world, such as Carl Philippe Bach, to the minimalism of Adams and Philip Glass (in a piece written by the director himself). But there are also electronic movements inspired by Alva Noto and Yashimura, up to Terry Riley’s contemporary classic quartet.

Musical concept: Joe Schievano e Claudio Zulian

Original music by Joe Schievano

Orchestral Arranger: Denis Feletto

Musical performers:

Violin: Nicola Fregonese, Luca Mares, Sabina Bakholdina

Cello: Antonino Puliafito, Alessandra Boldrin

Viola: Francesca Levorato

Harp: Nicola Vendramin

Piano: Denis Feletto

The orchestral tunes are recorded in IMPUT STUDIO Treviso

J O E > N E W S L E T T E R

Musica per Cinema Tv e teatro

Music for Cinema, TV and theater

Poche mail, non più di una al mese.

Musica e immagini, nuovi mood, informazioni e curiosità, idee per ottenere la musica e il suono più adatti ai progetti cinema, TV, teatrali e di videoart.

Few emails, no more than one per month.

Music and images, new moods, information and curiosities, ideas for obtaining the most suitable music and sound for cinema, TV, theatrical and video art projects.

Joe Schievano

J O E > N E W S L E T T E R

Musica per Cinema Tv e teatro

Music for Cinema, TV and theater

Poche mail, non più di una al mese.

Musica e immagini, nuovi mood, informazioni e curiosità, idee per ottenere la musica e il suono più adatti ai progetti cinema, TV, teatrali e di videoart.

Few emails, no more than one per month.

Music and images, new moods, information and curiosities, ideas for obtaining the most suitable music and sound for cinema, TV, theatrical and video art projects.

Joe Schievano